Dutch painter (b. 1629, Leiden, d. 1667, Amsterdam).  Related Paintings of METSU, Gabriel :. | The Feast of the Bean King sg | The Breakfast (detail) sg | Man Writing a Letter gsg | A Woman Seated at a Table and a Man Tuning a Violin sg | Poultry Seller gyy |
Related Artists:
Robert Hills
British Painter, 1769-1844 English painter and etcher. After taking drawing-lessons from John Alexander Gresse (1740-94), he enrolled at the Royal Academy Schools, London, in 1788. Village and rural scenes, and in particular studies of animals, occupied him throughout his working life; his favourite subjects were cattle, sheep, donkeys, pigs and above all deer, which he stalked for the purpose of sketching. As well as making plein-air drawings, Hills carried out careful anatomical studies of animal bones and joints. Between 1798 and 1815 he issued an extensive series of Etchings of Quadrupeds; the British Museum holds the artist's collection of his own etchings
HOLBEIN, Hans the Elder
(b. 1460/65, Augsburg, d. 1524, Isenheim was a German painter. He was born in Augsburg, Bavaria and died in Isenheim, Alsace. He and his brother Sigismund Holbein painted religious works in the late Gothic style. Hans the Elder was a pioneer and leader in the transformation of German art from the Gothic to the Renaissance style. He was also a woodcut artist and an illustrator of books, and was a church window designer.
Ercole Roberti
1456-1496 Italian Ercole Roberti Gallery Ercole de' Roberti (c. 1451 ?C 1496), also known as Ercole Ferrarese or Ercole da Ferrara, was an Italian artist of the Early Renaissance and the School of Ferrara. He was profiled in Vasari's Le Vite delle pi?? eccellenti pittori, scultori, ed architettori. The son of the doorkeeper at the Este castle, Ercole later held the position of court artist for the Este family in Ferrara. According to Vasari: By 1473, when he was 17, Ercole had left Ferrara and was working in Bologna in the studio of Francesco del Cossa. (According to Vasari, Ercole also apprenticed under Lorenzo Costa in Bologna, but this seems unlikely as he was Lorenzo's senior by seveal years). He is known to have collaborated in the frescoes of Palazzo Schifanoia. Ercole's first mature works are his contributions to the Griffoni Chapel for the San Petronio Basilica in Bologna: a predella depicting the Miracles of St Vincent Ferrer (c.1473) (now in the Pinacoteca of the Vatican), and lateral pilasters for the altarpiece commissioned from del Cossa. In 1480, Ercole created a large altarpiece with a Madonna and Child Enthroned with Saints for Santa Maria in Porto in Ravenna, which is now in the Brera, Milan. Portraits of Giovanni II Bentivoglio and Ginevra Bentivoglio attributed to Ercole de' Roberti (c. 1480) are in the National Gallery of Art, Washington, D.C. Ercole succeeded Cosm?? Tura as court painter to the Este family in Ferrara around 1486. His role apparently went far beyond making art: he accompanied Alfonso d'Este on a papal visit to Rome, served as wardrobe manager for Isabella d'Este's wedding in Mantua, and may even have made salamis. A painting of Portia and Brutus (c. 1486-90), believed to be painted for Eleonora of Aragon, duchess of Ferrara, is in the Kimbell Art Museum, Fort Worth, Texas. Ercole's painting of Saint Jerome in the Wilderness from this period is in the collection of the J. Paul Getty Museum, Los Angeles.